Career

She, for her part used her light, clear sound effectively, with no signs of strain up to high D in the climactic passage.

—  Robert Croan  •  Pittsburgh Post Gazette

Lisette Oropesa achieved total triumph as Amalia, the trill-filled part created for Jenny Lind. She sang with passion, technical aplomb, delicacy, and lovely timbre within her lyric-coloratura means.

—  David Shengold  •  Gay City News

If there was a leader in the pack, it was Lisette Oropesa, whose Susanna was a potent combination of charm and beautifully articulated wit, with telling touches of peasant common sense.

—  Simon Williams  •  Opera News

Soprano Lisette Oropesa was brilliant in Handel's lively “Da tempeste,” hitting the best high notes of the night and showing signs of being an opera star on the rise

—  David Hendricks  •  My San Antonio

Lisette Oropesa brought a sweet soprano as the forest bird and sang with ease throughout the role's difficult arching passages. 

—  David Salazar  •  Latinos Post

Lisette Oropesa was a compelling Gilda, with beautiful coloratura and purity of tone.

—  Luiz Gazzola  •  Opera Lively

Pamina was sung by the Louisiana-born Cuban-American soprano Lisette Oropesa, and she sang beautifully. Oropesa has a lovely, powerful voice, with a big top and strength throughout her whole register, and an ability to add believable pathos and sadness to her singing, particularly in her very fine Ach, ich fühls, which is when she most needs it. It is also a voice with warmth and richness, and that made Oropesa’s Pamina a sympathetic figure, rather than a dreary, lovelorn sop. Her acting was believable and sincere, and she looked delectable in her blue cocktail dress, platinum-blond wig and pink shoes. But most of all, you wanted to hear her sing some more.

—  Greg Stepanich  •  Palm Beach Arts Paper