Rigoletto

Oropesa also has, perhaps more noticably for some, a pure light lyric soprano that is as balanced and classically expressive as recent decades have seen.

—  JSU  •  An Unamplified Voice

Still, as Gilda, Lisette Oropesa offered a pearly “Caro nome” in her poised soprano

—  James Jorden  •  New York Post

Oropesa's "Caro Nome" was one of, if not the highlight, of the evening

—  David Salazar  •  Latinos Post

And Lisette Oropesa was a Gilda who invited tenderness. Her pure, smooth soprano and alert presence were both endearing

—  Zachary Woolfe  •  New York Times

Her '"Caro nome" was exquisite, a perfectly lovely arc of tonal radiance and dynamic nuance, climaxing with an incredible trill. All evening the soprano produced one beautiful phrase after another, with impeccable musicianship and with the character's vulnerability and ultimate resolve finely delineated in both the words and the colours of the voice.

—  Oberon  •  Oberon's Grove

Lisette Oropesa was a compelling Gilda, with beautiful coloratura and purity of tone.

—  Luiz Gazzola  •  Opera Lively