The Cuban-American soprano Lisette Oropesa, was a classy Guild, with a very beautiful, balanced and tuned voice.None— LucaDella Libera • Il Messaggero
Lisette Oropesa gave a simply dazzling performance as tomboy-turned-lady, Marie. From the graceful, ardent first notes (sung off stage) to the glorious finale on the shoulders of the regiment, she was seemingly born to play the part. Her garçon persona – carried off with irresistible spirit and aplomb – was belied by one of those effortlessly lovely female voices, quite thrilling at the higher register, soaring above the chorus and the other leads when needed. It was a consummate performance, sung with notable facility.None— Hilary Stroh • Bachtrack
Berlin was represented by select Mendelssohn songs, which the soprano Lisette Oropesa, accompanied by the pianist Gilbert Kalish, rendered with pellucid tone and unfussy stylingNone— Corinna Da Fonseca-Wollheim • New York Times
Soprano soloist Lisette Oropesa has a rich, complexly timbred voice that works well for this music.None— J. Robin Coffelt • Theater Jones
Oropesa is immediately engaging and she demonstrates impressive control of her voice, most notable in Susanna’s playful aria “Deh vieni, non tardar.”None— Jennifer Minich • MD Theatre Guide
Unter den vorzüglichen Solisten, die fast alle in Doppelrollen zu erleben waren, stachen Anna Prohaska als Phani/Fatime und Lisette Oropesa als Hébé/Zima mit leuchtendem Sopran und nie steril wirkenden Koloraturen hervor.Among the excellent soloists, who were almost all experienced in dual roles, Anna Prohaska as Phani/Fatime and Lisette Oropesa as Hébé/Zima stood out with their radiant sopranos and coloraturas that never seemed sterile.— Georg Etscheit • Musik Heute
Auch Lisette Oropesa ist von der Allerheiligen-Hofkirche schließlich herübergekommen. Sie und ihre beiden amerikanischen Kollegen, Matthew Grills und John Moore, geben Arien und Duette von Donizetti, Leoncavallo, Puccini und Rossini zum Besten. Besonders Lisette Oropesa singt sich mit ihrer glasklaren Sopranstimme in die Herzen des Publikums.Lisette Oropesa has also finally made her way from the Allerheiligen-Hofkirche. She and her two American colleagues, Matthew Grills and John Moore, perform arias and duets by Donizetti, Leoncavallo, Puccini, and Rossini. Especially Lisette Oropesa, with her crystal-clear soprano voice, sings herself into the hearts of the audience.— Jennifer Gaschler • Süddeutsche Zeitung
“Oropesa performed the lovely solo, “Et incarnatus” with radiant beauty, and her stunning trills, leaps and embellishments were in perfect tandem with the winds of the CSO”“In the evening’s first half, Oropesa displayed impressive vocal flourishes and flexibility in the soprano showpiece, “Exsultate, jubilate.”None— Janelle Gelfand • Cincinnati Enquirer
A special word for Lisette Oropesa, whose character, Mater Gloriosa, is supposed to appear out of the sky. The top tier of Verizon Hall was perfectly suitable, with her in a white gown and voice sounding, well, gloriosa.None— David Patrick Stearns • The Inquirer
Making her debut with the orchestra, soprano Lisette Oropesa spun out a radiant sound that communicated every hopeful, calming word in the fifth movement.None— Tim Smith • Baltimore Sun
Eccellenti e straordinari tutti gli interpreti, dall’ineguagliabile Pappano e dai due solisti, il baritono Vito Priante e, soprattutto, il soprano Lisette OropesaAll the performers were excellent and extraordinary, from the unparalleled Pappano and the two soloists, baritone Vito Priante and, above all, soprano Lisette Oropesa.— Sergio Prodigo • Focus Italy
Ms. Oropesa and Mr. Churchwell brought uncommon freshness to this music, which somehow hovers on the divide between breathless desire and spiritual calm.Ms. Oropesa combined vocal refinement with articulate delivery of the texts. It’s impressive that all of the English translations printed in the program (the recital spanned Italian, German, French and Spanish) were by Ms. Oropesa herself. Clearly, she involves herself deeply in the words she sings.None— Anthony Tommasini • New York Times