2013
San Francisco Opera - Falstaff
Oct, 2013
Pittsburgh Symphony - Carmina Burana
Oct, 2013Pittsburgh Symphony Orchestra kicks off season with rousing concert.
She, for her part used her light, clear sound effectively, with no signs of strain up to high D in the climactic passage.None— Robert Croan • Pittsburgh Post Gazette
Washington Concert Opera - I Masnadieri
Sep, 2013Washington Concert Opera offers Verdi rarity ‘I masnadieri’ in time for composer’s birthday
Soprano Lisette Oropesa made a pleasing debut as the suffering AmaliaNone— Charles T. Downey • Washington PostLSU Opera - Patron Gala
Sep, 2013
Santa Fe Opera - Le Nozze di Figaro
Jun, 2013 - Aug, 2013SFO spins Mozart’s magic in ‘Le nozze di Figaro’
Lisette Oropesa, who made everyone fall in love with her right from the outset in her company debut. Nothing in the evening surpassed her rendition of “Deh vieni, non tardar” in Act IV, in which she spun strands of magic in the evening air.None— James M. Keller • Santa Fe New MexicanThe Opera San Antonio - Opening Gala Concert of the Stars
May, 2013The Opera San Antonio: Eight stars shine brightly
Soprano Lisette Oropesa was brilliant in Handel's lively “Da tempeste,” hitting the best high notes of the night and showing signs of being an opera star on the riseNone— David Hendricks • My San Antonio
Metropolitan Opera - Siegfried
Apr, 2013 - May, 2013The Way to Slay Wagner’s Dragon
...beautifully sung from offstage by Lisette Oropesa.None— Vivien Schweitzer • New York Times
Metropolitan Opera - Rigoletto
Apr, 2013 - May, 2013In darkest Vegas
Oropesa also has, perhaps more noticably for some, a pure light lyric soprano that is as balanced and classically expressive as recent decades have seen.None— JSU • An Unamplified VoiceFlorida Grand Opera - Die Zauberflöte
Jan, 2013 - Feb, 2013FGO serves up an entertaining and spectacular “Magic Flute”
The soprano Lisette Oropesa made a fresh-faced and innocent Pamina. Her aria Ach, ich fühl’s, sung as she believes Tamino no longer loves her, was genuinely moving, with quietly intense high notes and assured, unforced articulation of quick passages.None— David Fleshler • South Florida Classical ReviewArizona Opera - Concert
Feb, 2013
