First there are the leads. Grabbing every scene by the short and curlies is an insuppressible Lisette Oropesa, singing her Marie with technical fabulousness and beautifully-toned buoyancy. If she veers a tad close to the chronically-cheerful tradition of Julie Andrews, she offsets it with some...

Metro Weekly
Nov. 17, 2016
Kate Wingfield

Soprano Lisette Oropesa returned to Pittsburgh Opera for her first performances of the title role. She made for a humorous, charming Marie, and, while not the most nimble, her dulcet voice showed shimmers of brilliance in high notes and trills. Her unceasing ene...

Pittsburgh Post Gazette
May 3, 2015
Elizabeth Bloom

La fille du régiment

Of the singers, natural inclination leads us first to Lisette Oropesa, the silvery-voiced Marie, a world-renowned young soprano who already has over 100 performances with the Metropolitan Opera under her belt, and who last night presented more than adequate proof of her ...

The Pittsburgh Stage
May 3, 2015
George B. Parous

Oropesa’s soaring and sensitive Soprano come to the fore immediately with the initial regimental song that exudes the character’s charismatic affection for the camaraderie of her fellow army “fathers”(Aria: Chacun le sait. Chacun le dit /” Everyone knows it, every...

DC Metro Theater Arts
Nov. 14, 2016
David Friscic

For her own part, Oropesa’s Marie lacked neither virtuosity nor personality. With solid high notes, accurate coloratura and an endless supply of golden-age trills (I stopped counting after five), this endearing artist ran a vocal marathon that might have paralleled the physical fea...

Opera News
Aug. 1, 2015
Robert Croan

Despite it's highly visible ensemble of cheery papas, THE DAUGHTER OF THE REGIMENT is really a showcase for its two stars, Oropesa and Brownlee. The role of Marie is a coloratura soprano's dream and Oropesa makes the role look super fun and easy despite being the busiest presence onstage. Orop...

Broadway World
Nov. 17, 2016
Jennifer Minich

Soprano Lisette Oropesa's Marie was a triumph at the Benedum Center, utterly winning in both the role's vocal challenges and the physical demands of Curran's staging. Her voice is wonderfully suited to the role, warm and rounded in tone but also pure, and sparkling in coloratura. “The So...

Pittsburgh Tribune-Review
May 3, 2015
Mark Kanny

Oropesa does not have a big sound, but her limpid tone and elegant phrasing pay dividends. This is especially true in "Il faut partir," Marie's Act 1 aria of farewell to Tonio after learning that she must leave him and the regiment to follow her new-found aunt. (The opera is performed in the o...

Baltimore Sun
Nov. 15, 2016
Tim Smith

The role of Marie was sung by Baton Rouge soprano Lisette Oropesa on opening night, and she was perfect in this role so closely associated with Beverly Sills and Dame Joan Sutherland. She sang flawless runs and coloratura, acted in the humorous tradition of Carol Burnett, moved like a prima ba...

Washington Jewish Week
Nov. 17, 2016
Arnold Saltzman

All the vocal performances impress, but none more so than Lisette Oropesa as Marie, the title character. Oropesa is in complete command throughout. Her coloratura is both delicate and precise, and equally as impressive, she makes the high notes demanded by the role seem easy. While it&rs...

DC Theatre Scene
Nov. 14, 2016
Dante Atkins

Lisette Oropesa, whose star shone brightly as Susanna in WNO’s season-opening production of Mozart’s “Marriage of Figaro,” outdoes even that fine performance in her star turn as Maria in WNO’s production. Bright, youthful and full of spunk, her tomboy attitude and...

Communities Digital News
Nov. 17, 2016
Terry Ponick

The title role of Marie, the regimental “daughter”, proved a winsome vehicle for Louisiana lyric coloratura soprano Lisette Oropesa. The role of Marie encompasses both light-hearted coloratura fireworks and highly emotional legato passages. Oropesa navigated the challenging role br...

Opera Warhorses
Nov. 20, 2016
William Burnett

Lisette Oropesa (one of two Maries performing the role during the production’s run) is equally strong, handling the wide dramatic range of the character from the comic music lesson, to the starkly beautiful “Par le rang et l’opulence” when left alone in the chatea...

MD Theatre Guide
Nov. 15, 2016
Chris Williams

Lisette Oropesa gave a simply dazzling performance as tomboy-turned-lady, Marie. From the graceful, ardent first notes (sung off stage) to the glorious finale on the shoulders of the regiment, she was seemingly born to play the part. Her garçon persona – carried off with irresisti...

Nov. 13, 2016
Hilary Stroh

Oropesa, who dominated the recent WNO production of “The Marriage of Figaro” as Suzanna, does so again as the foundling Marie, displaying not only marvelous, trilling and thrilling singing chops, but also a gamine comedic touch that reminds one of silent-movie clowns. She&rsq...

The Georgetowner
Nov. 14, 2016
Gary Tischler