Cleopatra in Giulio Cesare

Lisette Oropesa's portrayal of Cleopatra in Handel's "Giulio Cesare" has been widely acclaimed for its vocal brilliance and compelling stage presence, as noted across several reviews. A recurring theme in the reviews is her vocal agility and precision, particularly in the demanding coloratura passages and trills that characterize the role. Critics have consistently praised her ability to navigate the score's intricate challenges with ease, highlighting her performance of arias like "Se pietà di me non senti" as especially intense and moving. Her voice is described as flexible and seductive, contributing to a portrayal of Cleopatra that captivates both through sound and presence.

Beyond her vocal prowess, Oropesa’s interpretation of Cleopatra is noted for its dramatic engagement and charisma. Reviewers emphasize her ability to embody the character's complexity, portraying Cleopatra as both powerful and playful, with a nuanced balance of charm and theatrical seduction. Her physical presence on stage, often described as radiant and alluring, complements her vocal performance, creating a believable and captivating dynamic with her co-stars, particularly in the interactions with Giulio Cesare. Oropesa’s Cleopatra is depicted as a central figure, driving the action with her commanding yet nuanced performance, which many reviews suggest is a testament to her diverse operatic talents.

The critical consensus recognizes Oropesa’s portrayal as a standout interpretation, even in a repertoire not typically associated with her. Her ability to infuse Cleopatra with both vocal dexterity and dramatic depth underscores her versatility as an artist, further cementing her reputation as a leading soprano in the operatic world. This role, like her previous acclaimed performances, showcases her unique ability to blend technical skill with expressive artistry, leaving a lasting impression on audiences and critics alike.

Lisette has been reviewed 16 times in this role.

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    Role Information

    • Composer: G. F. Handel
    • Opera: Giulio Cesare
    • Performances: 15
    • Reviews: 16
    • Venues: 2
    • Organizations: 2
    • Years: 2012 - 2024

    • In this version, Cleopatra is the focal point of the action, and in this regard, soprano Lisette Oropesa did not disappoint at any moment. Flawless from an acting standpoint, full of charm and engagement, she tackled all the challenges of the score, both in moments of lyricism and in those requiring strength and agility. A great night of triumph for…

      In this version, Cleopatra is the focal point of the action, and in this regard, soprano Lisette Oropesa did not disappoint at any moment. Flawless from an acting standpoint, full of charm and engagement, she tackled all the challenges of the score, both in moments of lyricism and in those requiring strength and agility. A great night of triumph for the New Orleans-based soprano of Cuban origin.

      Opéra National de Paris

      L'ape musicale, January 2024

    • In this series of performances, the role is embodied by Lisette Oropesa, who triumphs through the evening with agility, in every sense of the word. Cleopatra arrives perched on the statue of Ramses II, traversing it, coquettishly teasing and taunting her brother from above, triumphing in her femininity over him. The voice, with its very distinctive timbre, seems to always…

      In this series of performances, the role is embodied by Lisette Oropesa, who triumphs through the evening with agility, in every sense of the word. Cleopatra arrives perched on the statue of Ramses II, traversing it, coquettishly teasing and taunting her brother from above, triumphing in her femininity over him. The voice, with its very distinctive timbre, seems to always hide a smile. The highs are fresh, already audible in the harmonics of the middle range, and the ornamentations, smoothly executed, reach towards the highest points of her range, reflecting the mischievous character portrayed in this staging.

      Opéra National de Paris

      Olyrix, January 2024

    • Her voice is like elastic: She produced thrilling trills and staccato high notes, and her slim, graceful body performed eloquently – especially in her "victory" dance when she learns her rotten brother is dead and Caesar is alive.

      Her voice is like elastic: She produced thrilling trills and staccato high notes, and her slim, graceful body performed eloquently – especially in her "victory" dance when she learns her rotten brother is dead and Caesar is alive.

      Michigan Opera Theatre

      Encore Michigian, November 2012

    • Regarding the vocal casting, the divine surprise comes from the soprano Lisette Oropesa, who embodies a doubly seductive Cleopatra through both her appearance and her voice, which is as flexible as it is powerful.

      Regarding the vocal casting, the divine surprise comes from the soprano Lisette Oropesa, who embodies a doubly seductive Cleopatra through both her appearance and her voice, which is as flexible as it is powerful.

      Opéra National de Paris

      Web Theatre, January 2024

    • It’s hard to imagine a more appropriate choice for the role of Cleopatra than the incandescent Lisette Oropesa. A coquette par excellence, she has the vocal and dramatic prowess to embody Ptolemaic Egypt’s last queen. Her glorious lyric coloratura had just the right timbre, feminine and fruity. Vocally, she excelled in all her arias, but her Act II aria “V’adoro pupille” was the most sensual.…

      It’s hard to imagine a more appropriate choice for the role of Cleopatra than the incandescent Lisette Oropesa. A coquette par excellence, she has the vocal and dramatic prowess to embody Ptolemaic Egypt’s last queen. Her glorious lyric coloratura had just the right timbre, feminine and fruity. Vocally, she excelled in all her arias, but her Act II aria “V’adoro pupille” was the most sensual. Technically, her Act III aria “Da tempeste il legno infranto” was the most dazzling.

      Opéra National de Paris

      Concerto Net, January 2024

    • In Cleopatra, barely dressed in an almost transparent white tunic, the fabulous Cuban-American soprano Lisette Oropesa exhibits an agility, and a sovereign precision in the acrobatic trills of the score.

      In Cleopatra, barely dressed in an almost transparent white tunic, the fabulous Cuban-American soprano Lisette Oropesa exhibits an agility, and a sovereign precision in the acrobatic trills of the score.

      Opéra National de Paris

      Causeur, January 2024

    • Liberated, fulfilled, happy, this is how Lisette Oropesa appears from her first entrance on stage, dressed lightly and hopping along. Playing a playful character with a smiling, even comical manner in the first act, Cleopatra gains in melancholic density, even tragedy, when her brother Ptolemy unleashes his vengeance on her. The American soprano offers her fruity, sun-kissed, sensual without being…

      Liberated, fulfilled, happy, this is how Lisette Oropesa appears from her first entrance on stage, dressed lightly and hopping along. Playing a playful character with a smiling, even comical manner in the first act, Cleopatra gains in melancholic density, even tragedy, when her brother Ptolemy unleashes his vengeance on her. The American soprano offers her fruity, sun-kissed, sensual without being vulgar timbre, to carefree or triumphant airs as well as to poignant laments: "If you have no pity for me, oh just heavens, I am going to die"...

      Opéra National de Paris

      La Croix, January 2024

    • Lisette Oropesa appears in full vocal maturity and shines from the very first arias, then asserts herself during the second act with an intense performance of "Se pietà di me non senti", and especially during the third with a pyrotechnic "Da tempeste il legno infranto".

      Lisette Oropesa appears in full vocal maturity and shines from the very first arias, then asserts herself during the second act with an intense performance of "Se pietà di me non senti", and especially during the third with a pyrotechnic "Da tempeste il legno infranto".

      Opéra National de Paris

      Opera Click, January 2024

    • It is entrusted here to Lisette Oropesa who takes on the tour de force of this role with 8 arias and the sublime final duo with Cesar. 8 arias, like the climax of a dance of the 7 veils in her semi-nude costume, feigned but with a confessed sensuality; feline and incandescent. Her voice, finely woven like silk, is the…

      It is entrusted here to Lisette Oropesa who takes on the tour de force of this role with 8 arias and the sublime final duo with Cesar. 8 arias, like the climax of a dance of the 7 veils in her semi-nude costume, feigned but with a confessed sensuality; feline and incandescent. Her voice, finely woven like silk, is the same: radiant in the high notes, rich in the middle, and always resonant, even in the low tones.

      Opéra National de Paris

      Classy Keo, January 2024

    • Handel’s world was vibrantly alive with excellent performances by Lisette Oropesa’s Cleopatra and Gaële Arquez’s Giulio Cesare. Louisiana (USA) born Mlle. Oropesa is quite shapely, easily embodying the arrogant and calculating sirene of myth. As Handel’s heroine she is also a sincere lover, ready to die as her brother’s prisoner. As defeated as she was in her heartbreaking “Piangero la…

      Handel’s world was vibrantly alive with excellent performances by Lisette Oropesa’s Cleopatra and Gaële Arquez’s Giulio Cesare. Louisiana (USA) born Mlle. Oropesa is quite shapely, easily embodying the arrogant and calculating sirene of myth. As Handel’s heroine she is also a sincere lover, ready to die as her brother’s prisoner. As defeated as she was in her heartbreaking “Piangero la sorte mia,” we were smitten by its sincerity. An estimable technician of beautiful voice she wove the florid lines of her multiple arias into a convincing whole.

      Opéra National de Paris

      Opera Today, February 2024

    • Oropesa’s soprano simply dazzled in the seductive “V’adoro pupille,” and she convincingly made the key dramatic arc from sexy schemer to a heroine of profound feeling

      Oropesa’s soprano simply dazzled in the seductive “V’adoro pupille,” and she convincingly made the key dramatic arc from sexy schemer to a heroine of profound feeling

      Michigan Opera Theatre

      Detroit Free Press, November 2012

    • The performance of the soprano Lisette Oropesa in the role of Cleopatra is equally surprising, especially as we are not used to hearing her in this repertoire. She is quite spicy and theatrically seductive, and has complete control over her instrument. She is delightful and moving in "V'adoro, pupille" and "Se pietà di me non senti" respectively, in Act 2,…

      The performance of the soprano Lisette Oropesa in the role of Cleopatra is equally surprising, especially as we are not used to hearing her in this repertoire. She is quite spicy and theatrically seductive, and has complete control over her instrument. She is delightful and moving in "V'adoro, pupille" and "Se pietà di me non senti" respectively, in Act 2, and then virtuosic and light in her final aria in Act 3, "Da tempesta il legno infranto".

      Opéra National de Paris

      Classique News, January 2024

    • The oh so beautiful Lisette Cleopatra was the very beautiful Lisette Oropesa, with impeccable physical appearance that makes the love that Julius Caesar feels for her so believable from the first glance, even though he still doesn't know who she really is. A born actress, Lisette Oropesa immediately won over the audience, who literally cheered for each of her arias.

      The oh so beautiful Lisette Cleopatra was the very beautiful Lisette Oropesa, with impeccable physical appearance that makes the love that Julius Caesar feels for her so believable from the first glance, even though he still doesn't know who she really is. A born actress, Lisette Oropesa immediately won over the audience, who literally cheered for each of her arias.

      Opéra National de Paris

      Cult.news, January 2024

    • Oropesa is an elegant and magnetizing leading lady. Her portrayal of Cleopatra is strong and confident — everything you expect the queen to be. The American soprano’s performance is augmented by her lovely voice as she sings Handel’s gorgeous music.

      Oropesa is an elegant and magnetizing leading lady. Her portrayal of Cleopatra is strong and confident — everything you expect the queen to be. The American soprano’s performance is augmented by her lovely voice as she sings Handel’s gorgeous music.

      Michigan Opera Theatre

      The Oakland Press, November 2012

    • American soprano Lisette Oropesa (November 10, 14, 17) is stunning in her company debut as Cleopatra

      American soprano Lisette Oropesa (November 10, 14, 17) is stunning in her company debut as Cleopatra

      Michigan Opera Theatre

      Examiner.com, November 2012

    • Following the example of Lisette Oropesa, who has triumphed on international stages - in operas such as "Traviata," "Gilda," "Lucia di Lammermoor," and recently as Ophelia, as well as in leading roles by Mozart, Rossini, Bellini, Donizetti, she now offers a radiant portrayal of Cleopatra. A ballet dancer and gymnast, she navigates the pitfalls of the stage, lending her vivacity,…

      Following the example of Lisette Oropesa, who has triumphed on international stages - in operas such as "Traviata," "Gilda," "Lucia di Lammermoor," and recently as Ophelia, as well as in leading roles by Mozart, Rossini, Bellini, Donizetti, she now offers a radiant portrayal of Cleopatra. A ballet dancer and gymnast, she navigates the pitfalls of the stage, lending her vivacity, grace, and elegance to the Egyptian seductress. She even adopts the mannerisms of a cabaret leader—reminding one of Mistinguett—originally designed for Natalie Dessaye. From the first moment to the last, she consistently projects a bright, healthy, and desirably fruity voice. She also knows how to evoke emotion when, as a fallen sovereign, she reveals her truth as a woman and her dignity. It is permissible to cherish the ailing Cleopatras who compensate for their frailty with agility, but also to admire in this great Rossinian singer the fullness of a song that, even in its ornamentation, serves solely the purpose of expression.

      Opéra National de Paris

      Crescendo Magazine, January 2024

    Famous Interpreters

    Francesca Cuzzoni was the original interpreter of the role of Cleopatra in George Frideric Handel's "Giulio Cesare in Egitto," which premiered on February 20, 1724, at the King's Theatre in the Haymarket, London. Cuzzoni was an Italian soprano born around 1696 in Parma, Italy. She was one of the leading sopranos of her time, known for her work in the operas of Handel and other composers. Besides Cleopatra, Cuzzoni is well-documented for her performances in other Handel operas, including the roles of Rodelinda in "Rodelinda" and Asteria in "Tamerlano." Her career was marked by a celebrated rivalry with fellow soprano Faustina Bordoni.

    In the 20th century, several interpreters of Cleopatra in "Giulio Cesare" have been well-documented. Joan Sutherland, active primarily from the 1950s to the 1980s, is noted for her performance in the role, particularly in a 1963 recording conducted by Richard Bonynge. Sutherland was a prominent figure in the operatic world, known for her extensive repertoire and numerous recordings. Another significant interpreter is Beverly Sills, who was active from the 1940s to the 1980s. Sills performed Cleopatra in a notable 1966 production at the New York City Opera, which was part of a broader revival of Handel's operas during that period. Additionally, more recently, the French soprano Natalie Dessay, active from the late 1980s to the early 2010s, performed Cleopatra in various productions, including a 2011 recording with conductor Emmanuelle Haïm. These performers are recognized for their contributions to the revival and continued popularity of Handel's operas, though specific artistic interpretations are not the focus of this factual overview.

    About the Composer

    George Frideric Handel, a Baroque composer of German birth who later became a British citizen, is renowned for his masterful operas, oratorios, and instrumental compositions. Handel's operatic style is characterized by its dramatic intensity, rich orchestration, and virtuosic vocal lines. "Giulio Cesare in Egitto" (Julius Caesar in Egypt), premiered in 1724 at the King's Theatre in London, stands as a pinnacle of his operatic achievements. Handel composed this opera during a vibrant period of his career, aiming to captivate the London audience with a bold blend of political intrigue and romance set in the exotic backdrop of ancient Egypt. The work is significant for its sophisticated use of the da capo aria, allowing singers to showcase their technical prowess and emotional expressiveness. Handel's approach to vocal writing in "Giulio Cesare" is particularly noteworthy; he tailored each role to the strengths of the original cast, creating unforgettable characters through intricate arias and compelling recitatives. This opera remains a favorite among enthusiasts for its dramatic depth and the brilliant interplay between music and narrative.

    Performance History

    Lisette has performed Cleopatra 15 times.