Mitridate, re di Ponto

Music by

W. A. Mozart


München, GE

Thursday July 21, 2011 - 7:00 PM
Sunday July 24, 2011 - 7:00 PM
Tuesday July 26, 2011 - 7:00 PM
Friday July 29, 2011 - 7:00 PM


Mitridate  Barry Banks
Aspasia  Patricia Petibon
Sifare  Anna Bonitatibus
Farnace  Lawrence Zazzo
Ismene  Lisette Oropesa
Marzio  Alexey Kudrya
Arbate  Eri Nakamura


Ivor Bolton


David Bösch

Set Designer

Patrick Bannwart


Falko Herold


Michael Bauer


Rainer Karlitschek


Vittorio Amadeo Cigna-Santi after a translation of the tragedy by Jean Racine by Abbate Giuseppe Parini
Opera seria in three acts
At the age of only 14, Mozart was given exactly five months to deliver his first commissioned opera seria to the opera in Milan – and he met the high expectations placed on the child prodigy, who had initially been regarded with considerable skepticism by many musicians: Mitridate was a great success. The musical characterization of the characters in all their hopes and needs attested especially to what for many was the monstrous talent of the adolescent from Salzburg, traveling across Europe under his father’s supervision.
It is thrilling to note how the source, a tragedy by Racine about the historical King of Pontus who shook the foundations of the ancient Roman Empire reveals some remarkable biographical parallels to Mozart’s own story: because the core of the drama depicts the conflict-laden emancipation of Mitridate’s sons, Sifare and Farnaeus, from their dominant father, ending only with the reconciliation required by the conventions of the time – at Mitridate’s death.  
In Italian with German surtitles


Munich Opera Festival’s new Mitridate Re di Ponto

Ismene, the (eventual) bride of Farnace, was the American soprano Lisette Oropesa, whose performance was remarkable: A very attractive voice and an excellent singer.

—  José MªIrurzun  •  Seen and Heard International

Performance History

Lisette has given 9 performances as Ismene.