A woman’s love is like a desert. Aux filles du désert comes from one of the most moving lines in Bizet’s song “Adieux de l’hôtesse arabe.” This song is about an Arabic woman, who has spent a bit of time with a man who was a wandering traveler, and passed through her harem. I feel so much sadness, longing, and bitterness in the text of her goodbye to him; it feels as though she is trapped and her love for him was a temporary escape, and she very much wanted him to stay in this exotic place…a place where he could have been served, cared for, and loved. For him at least, this would have been a luxury, though for her it is more likely a place of sacrifice and servitude. She tells him to never forget the daughters of the desert, the sweet voiced sisters who dance barefoot on the dunes. The way this poem is set by Bizet is masterful, and I can picture the very place in my mind whenever I sing it.
This recital was performed first in Arizona, and the setting is the American version of what Bizet's specific place might have been. To me every desert is magical. There is a sense of isolation, of great power, of extremes…and often that’s what I feel in performance; a great energy, extreme emotions, and beautiful musical landscapes. The desert may call to mind a place of scarcity, but to me it is the total opposite…it is a place of wonder and richness. A woman’s love is like a desert. All of these songs are about the depth of a woman’s love, and they are all mini landscapes, rich and beautiful, and full of wonder.
1. El niño judío, Act II: De España
vengo
Pablo Luna
2. Als Luise die Briefe, K.
520
Wolfgang Amadeus Mozart
3. Abendempfindung, K. 523
Wolfgang Amadeus Mozart
4. Sei du mein Trost, K.
391
Wolfgang Amadeus Mozart
5. Two Love Songs: I. Extinguish my
eyes
Leonard Bernstein
6. Two Love Songs: II. When my soul
touches yours
Leonard Bernstein
7. Parysatis, Act II: Le Rossignol
et la Rose
Camille Saint-Saëns
8. 20 Mélodies, Op.21: XVII. Chant
d'amour
Georges Bizet
9. 20 Mélodies, Op.21: I. Chanson
d'avril
Georges Bizet
10. 20 Mélodies, Op.21: IV. Adieux
de l'hôtesse arabe
Georges Bizet
11. L'elisir d’amore, Act II:
Prendi, per me sei libero
Gaetano Donizetti
Lisette Oropesa would like to thank some very special people who made this all happen.
A special thank you to Louisiana State
University for recording the recital/
Thank you to Michael
Borowitz for his beautiful playing.
Photos and mastering by Steven Harris.
Copyright © 2018 All Rights Reserved
Aux filles du désert